Central Queensland and the Southern Highlands of New South Wales

It’s a good thing that the airport is relatively convenient. I have just spent a week in Mackay and then a day in Mittagong.

It was a wonderful week in Mackay. I went there to talk weaving, dyeing and to spent time walking on the beach and in the rainforest with my friend Helen. Helen has a 4 shaft loom and wanted to investigate “holes” and textural fabrics, so we worked with overtwist wools, wool/lycra and her stash on a lace weave structure. I got this very excited email this week. The scarf turned out just as you said it would and looks great. The overtwist worked better on lengthier parts than shorter parts. So the small piece I have decided to turn into a U shape, pick up the edge and knit into the middle calling it “Captured”. Then I started to experiment with knitting with the overtwist – wow – what an experience. The overtwist wool looks delicate but the wool lycra worked on very large needles just goes nuts and sends the yarn around it into contortions – why haven’t I discovered all this before, it is great. I am looking forward to seeing how Helen will incorporate this into both her weaving and knitting.

Helen enjoys doing wall pieces that combine weaving and knitting. We installed this piece in the Sarina Library.

Then when I got home from there, I also couldn’t resist going down to Mittagong and having a look at an exhibition, Threads of Influence. Yes, one does have to be a bit crazy to go all that distance in one day, but I did really want to go. A flight and a car hire is all it takes. Elisabeth Nagel has been weaving and teaching at Sturt for 50 years and this exhibition celebrates that achievement. Other weavers who had also taught at Sturt were invited. The exhibiting weavers were Elisabeth Nagel, Jeannine Binoth, Julie Monro-Allison, Melanie Olde, Monique Van Nieuwland, Liz Williamson and myself. It was a very diverse exhibition.

The invitation for the exhibition with a detail of my work on the loom on the cover.

This is one wall of the gallery showing work by Elisabeth Nagel, Liz Williamson and myself.

Melanie Olde in front of her work.

Monique in front of her work.

As well as seeing the exhibition it was great to catch up with the friend that I had made during the residency. It was also amazing to see what Sturt looks like in summer. It was very lush and green. We celebrated the end of the day with wine and cheese on the lawn.

It was delightful: late afternoon, a cooler end to the day, drinks and chesse on the lawn,  and relaxed conversation.

How different it looks now. For those who followed the blog from my resisdency at Sturt I often included pictures of the gardens including this pathway to the studio. The grounds were so lush and green.

When I was artist in residency, I use to always start my blog with a picture of the view from the front of the studio. It seemed appropriate to finish this update with the same view.


One Response to Central Queensland and the Southern Highlands of New South Wales

  1. KT Doyle says:

    What a fabulous trip to Sturt and well worth it by the looks of it too! Well done on the inclusion in the exhibition Kay. You’re in good company!

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