The blog this month covers workshops and then more on my Great Experiment.
But firstly a gathering of friends and another studio celebration. Cathy and Peer Moon donated a mutual friend’s loom. They had Marjorie’s loom in storage for quite some time and decided that it needed a new home. It will be a very useful addition. By the end of August there were students weaving on it – you’ll see it in action later on. At the same time Janet de Boer selected work for The Director’s Choice exhibition at Gallery 159 to be held in November.
Cathy and Peter Moon, Helen Barnard and Janet de Boer celebrate amongst the looms.
The Gold Coast Spinners and Weavers Guild hosted another workshop at Bornhoffen. Apart from an excellent venue for a workshop why wouldn’t one come here?
The topic was Colour and Weave. About half the students elected to work in a round robin while the others elected to work on individual projects.
The following are some images from the workshop. Firstly there’s some general images, then the results of the round robin. Each warp was divided up so that students took their own samples. Then there’s individual student’s work.
It was a highly successful workshop. I am impressed by what was achieved. It was also great fun.
The first weekly class has finished with very satisfying results. There were 3 students, all inexperienced.
In 5 weeks Maxine completed two projects.Firstly an introductory project where students learnt a variety of basic skills.
And then a project of her own choosing. It was going to be vest material but Maxine decided it was just too beautiful as it was. A great effort!
Melissa examines her project. There’s a lot of information here: lots of different structures and an exploration of colour. Another great result.
Isn’t this a great result? Fleur knew she wanted to weave but had never seen it done. I’ll look forward to seeing them finished. Her work was much admired by these weavers,
Marg Barnett, a wonderful shibori artist and friend decided that she really needed to find a home for her loom. She had acquired it in 1987 but then discovered shibori so no more weaving. I’ll look forward to getting it working. Yes another loom in my space and another plaque coming up.
There has been another 5 day workshop. This time three students came from Vic., NSW and Qld for intensive study of woven shibori.
8 looms were set up in a variety of structures and yarns so that a wide range of techniques could be explored. Here Jennifer and Lynda weave on an 8 shaft countermarched and 16 shaft computer assist respectively.
This is Marjorie’s loom in action with Virginia (the loom donated by Cathy and Peter). All students enjoyed it.
They pulled up to dye…..
They worked so hard, showing great commitment. We also had a lot of fun along the way. Morning tea and an examination of results.
At the end of 5 days this is what they each managed to produce. What a collection!
The level of commitment shows in what they managed to achieve. I am certainly impressed.
I had the opportunity to visit the local Spinners and Weavers Guild. It was a real treat to spend time with these ladies. It brought back great memories as it was the first guild that I belonged to. There were some familiar faces from a long time ago. What a shame I forgot the camera. http://redlandsspinnersandweavers,wordpress.com
Now for my continuing adventures with my replica Laotian loom experiment… well as of last month it did undergo some modifications but it remains the Great Experiment.
The following is a movie from my recent Laos trip and will give reference to what I’m about to undertake.
How to make a vertical storage system on a Laos loom.
I have graphed out the design from one of the scarves I collected in Laos. Each squares represents 2 warp threads.
From this graphed design I have picked up the pattern on the loom. Getting it perfectly centred took a couple of tries. Using cotton ties to identify pattern change and centre certainly helped.
I know that I have to get this picked up design to behind the plain weave shafts to transfer it to the vertical storage system. To do this I did it in two stages, Firstly I turned the pick up stick on its side and transferred it to behind the beater, then repeated the process to transfer it to behind the shafts. I confirm that I’ve got all the warp threads (pairs) at each stage.
Then to transfer it to the storage system. I had tried with my usual wide sword (middle one in the image below) and discovered that it was difficult to do the transfer with ease. I knew that I’d need a super wide one. I recognised that my wood working skills are basic and came up with an alternative by going to my favourite place for perspex (Plastic Welded Supplies at Capalaba). I got them to make me one with smoothed off edges. It works a treat. Here are the pick up stick and 2 swords that I use for the transfers. While the wide one is not necessary for the previous transfer it is absolutely essential for the next stage.
This is the process I used: First position the sword immediately behind the plain weave shafts. Then bring all the pattern heddles forward. Turn the sword on its edge and hey presto the heddles not selected slide backward leaving a gap. This wide sword makes the job so much easier. Then I’ve inserted a narrow dowel in the gap and moved it to the top suspending it by putting them in the loop of Texsolv cord. It works a treat. In Laos I saw both yarn and bamboo being used to store the design. (see previous posts) I’ve decided to use the equivalent of the bamboo rods instead of a cord purely because I think it may be easier to manage. I’ll try the other later.
At some stage one does have to weave. This is the process that I’ve worked out is best for me. After removing the picked up design just once without storing it and having to pick up again, one recognises the need to have a system in place!
1. Pick up the design and transfer it to behind the plain weave shafts. Do not remove any of the pick up sticks. Weave the pattern row by turning the pick up stick on its side. Remove the stick and the sword between the beater and plain weave shafts. Check that the pattern and picked up pairs is correct.
2. Transfer the pattern to the vertical storage system. It’s insurance knowing that it is stored but keep the sword in place.
3. Weave plain weave. It’s necessary to remove all but the wide sword to allow for the plain weave shafts to move.
4. Turn the wide sword on its side and weave the pattern row.
5. Weave plain weave.
The process is slow but I’ve only got a couple more rows of the design to store.
Here are some observations: Lightness of equipment and movability are very beneficial.
Having those light weight lengths of wood as treadles allows for the heddles on the shafts to move freely- very necessary in transferring design. The ability of the shafts to move forward and backwards facilitates transfer and weaving as each stage is processed. I have the vertical storage system under flexible tension with it being anchored by stockings tied to a brick. The brick anchors it, while the stockings allows for tension, necessary in the opening of the vertical storage system during the selection process. In the movie, the weaver re-tensions with her feet. I had to find an alternative as my toes don’t work that way. Here’s a general look at the loom to show these systems in place. The bricks are insurance for when it rains.
I am looking forward to weaving without pick up. It’ll be soon. Lastly a close up view of the border so far.