This scarves came off the loom at the start of the month. It’s one of a pair. Woven in 20/2 silk they combine some weaving structures that are used in South East Asia but with are woven on a 24 shaft loom as opposed to a back strap loom.
Contextart is an annual 6 day textile event run in the Blue Mts of NSW at Easter. Firstly however, on the drive down to Contextart, I stopped off in Tamworth and was lucky to see the retrospective of Vivian Chan Shaw’s work.
At this year’s Contextart, my class focused on Ties: Functional, Decorative and Unconventional. The students did extensive sampling exploring many design approaches. They were a very diverse group of 10 which certainly added to the experience for all. Here’s a snapshot of what they did.
They calculated, wove and analysed.
Here’s some of the work on the loom
And finally, the class collection. What a lot of weaving was done in 6 days… and what a lot of theory. I am delighted at what was achieved. Well done everyone!
For next year’s event visit http://www.contextart.com.au
Kaz Madigan joined me for a very exclusive class. She spent 5 days in the studio exploring warp faced weave structures inspired by South East Asia. As well as covering a lot of ground, it was a very enjoyable week.
There are two other highlights this month.
Firstly, Trood Newman’s 16 shaft Noble loom is finally working. I acquired the loom while at Sturt in the expectation that my students would be able to have the experience of weaving on a computer assist loom. Till that point it had left Trood’s place in a horse float, stayed with Pat for a while and then to Sturt. It was dead and I contemplated and tried various solutions. Eventually it came home. I still hadn’t given up. 18 months later, then a visit to Ian, a wizard with a soldering iron and hey presto the electronics worked. He’d resoldered all the connections. I then came home put the loom together, connected it all up and “Trood’s Loom” is functioning beautifully.
Who would believe a little bit of plain weave could bring such joy!
With the plaque added. It was done 18 months ago when I started attaching plaques to all the looms in the studio. I had faith!
Paw Nay Thah came to the studio. The visit was arranged by Meredith, the youth Settlement Co-ordinator with MDA Qld. Paw Nay and her family have been granted asylum from a refugee camp on the border of Burma and Thailand. She is from the Karen, an ethnic minority group from Burma (Myanmar). Meredith had asked “What would make you happy?” Her reply: to weave traditional fabric. Meredith had no experience of weaving so she came here to see what was involved and if it could happen. Paw Nay arrived with the biggest grin. I got shown some traditional cloths and we discussed back strap looms and what is required to make them. It’s very fortuitous that I brought one back from Bhutan. It’s much easier to explain if there’s one to look at. The result: Meredith knows what is needed and Paw Ney will weave. It was such a fun and heart-warming experience.
Meredith and Paw Nay examine some of the textile’s in Meredith’s collection. She had been given them by some of the Karen ladies. Paw Nay can weave these.
Here’s a close up look.
An unmarried woman’s blouse. Note the fringing and the supplementary weft and twill weave structure. The fringing may be added in. In this case it has been added above the hem.
The reverse side. This was interesting because the yarn is carried from one motif to the next.
Another unmarried woman’s shirt and detail.
A married woman’s shirt and detail. It is much plainer. The reverse side doesn’t show as much pattern. This had a double row of fringe: one a the end of the warp, the other a couple of cm above and inserted in the weft.
Thank you Meredith for coming, bringing Paw Nay and a wonderful experience. Long may she weave!